The first #160 migration cleared rows whose legacy date_taken_source
was 'filename'. But the true-instant drain wrote only the new-contract
triple, so rows with a correct legacy date (e.g. an exiftool container
date) could still carry a filename-derived implausible year in
date_utc. Prod has three: VID_<counter> videos dated 2095 / 2229 / 8580
whose containers say 2016 / 2017.
Clear just the triple wherever date_utc is outside [1995, 2028) UTC;
backfill_utc_dates re-resolves it with the gated matcher, and the
frozen legacy pair is left alone. On prod those three are the only
rows with date_utc out of range.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
match_filename_date only gated the unix-timestamp branch to years
1995..=now+1; the five wall patterns returned any NaiveDateTime. Counters
and IDs shaped like YYYYMMDD_HHMMSS (an app's VID_<counter>_<HHMMSS>,
Facebook's <8 digits>_<id>_o.jpg) became dates of record in years from
267 to 9985: 67 rows on prod, all via screenshot_compact.
Both branches now share plausible_filename_year; a wall miss falls
through to the next pattern and then the rest of the waterfall. The
filename audit no longer proposes these dates.
A data migration clears the five date columns on filename-sourced rows
dated outside [1995, 2028) UTC, so backfill_missing_date_taken
re-resolves them from EXIF / exiftool / fs time on the next ticks.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
run_audit_skips_disabled_and_offline_libraries inserted an image_exif
row for library 2, which migrations never create, tripping the
image_exif.library_id foreign key. Insert the libraries row first so
the suite is green on master again.
Also fix the cmp_owned clippy warning in the filename_audit bin.
Closes#151
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The spec-mirroring review noted the report showed the offset SOURCE
but not the offset value — the value is what the operator spot-checks.
Each proposed line now ends with offset={+N}m (or - for utc_direct
rows). Tests pin the rendered values.
Cameron CordesandClaude Opus 5.5